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They will be nice & even through a DI, more headroom, louder without almost clipping, etc. You should always go by what it sounds like overall, but if you want to look at the DI tracks you will see a difference. The Eleven Rack's DI tracks can be very low and high in volumes, jumping all over the place but you can control that to taste with the 11R pre just using it slightly. It has some life to it, to him it was noisy and not "full" sounding but what if you want a nice dirty sound? My experience was I wanted more of a sound that was DONE and not something I need to EQ and compress and fart around with later. Not to say it wont turn out, I heard a DI a guy hated and thought it was one of the best sounds. I've been talking to people that reamp professionally and they have a hard time with Eleven Rack and other DIs from what they are saying (sounds like you had the opposite problem MRJ but there's a happy medium I'm sure and who knows if it was the pre or a weird guitar or setup the guy liked remember the C8 reamp we did a while back through 11R? and the DIs were from 11R too). I guess you can do that via the amp out too. You'll know instantly in real time what it feels like and go from there. Reason I mention a DI box is because you'll get have a direct out to the amp and it will decide on it's own what to do with your signal and it wont be changed if you don't use the mic pre gain, just use that to record with. This also gives you the option of using 2 pres and mics on your cab at the same time.Įdited by MRJSTUDIOS ( 02/15/12 01:44 PM) Another option would be to run your mic into a better external pre (like a Neve or API or whatever) and then run that pre's output to the line in on the eleven rack. Then you can use the mic pre on the 11Rack to record your mic'ed up cab as you reamp. Just choose the TrueZ setting that is closest to the input circuitry on the amp your reamping to - or if that doesn't sound right, just use the highest impedance trueZ setting (which I believe is the 1M resistor, off the top of my head). But recording your initial DI's into the 11R will solve all of those problems instantly. For vocals, pre's that add color and smoothness are great. Since they didn't use a high-impedance input on a clean pre, the Jugg actually made the Raw guitar tracks extremely muddy and dull. The only time I've run into problems is when I was reamping for another studio, and they recorded DI's into a Juggernaut pre ( ) into a Digi 002. I've done this a lot with my 5150 and custom 100 Watt tube amp as well - it works well with both.
ELEVEN RACK REAMP PATCH
I just have a patch with everything bypassed, and all levels zeroed out specifically for the purpose of reamping to real amps.Īnyway, because the DI's are recorded with the ElevenRack's trueZ input, when your run them back thru and out to a real amp, it seems to preserve the sound extremely well - and it sounds very, very close to just plugging into the real amp with your guitar and recording live. Yep - record the DI tracks USING THE ELEVEN RACK, then send them out, completely raw with all levels set to 0, of the 'amp out' jack(s).